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Copyright
Guidelines for Commissioning Editors
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| 1 |
Remember,
copyright is the cornerstone of a creative
society, the only means by which those who
create original material can continue to
benefit from the full value of their work. |
| 2 |
Never
seek to buy ownership of copyright from
non-staff contributors. This is bad practice. |
| 3 |
Good
practice is one where a contributor keeps
copyright and licences uses of his or her
material. |
| 4 |
Always
be clear about which rights you are buying,
bearing in mind the needs of your organisation
and the fact that most contributors will
want to strike a deal provided the terms
are right. |
| 5 |
Be
prepared to negotiate extra payments for
extra rights, beyond basic first use of
the material. (see below) |
| 6 |
Allow
for the fact that not all contributors may
want you to syndicate their material for
them. Some can strike better deals on their
own. |
| 7 |
Wherever
possible, put the terms you have agreed
in writing so as to minimise confusion and
avoid disputes. |
Contributors
license you to use their work, for which they
are paid a fee.
Extra
uses of their work, for which extra fees are
paid, include:
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storage
in a publicly accessible archive or database
for the full term of the rights; |
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publication
on a CD-ROM; |
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re-publication
by the company in print; |
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re-publication
on a directly connected website: |
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publication
on another website; |
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syndication,
either through spot sales or through subscribers
to the newspaper: |
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public
photo-copying. |
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| Published
by the National Union of Journalists, Headland
House, 308-312 Gray's Inn Road, London WC1X 8DP.
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©
2001 - 04 NUJ & Contributors
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